Brown coal 4.6 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes into the night sky; natural gas 5.1 GW fills the left-centre as a row of compact CCGT power blocks with tall single exhaust stacks venting hot shimmer; hard coal 3.1 GW appears centre-right as a hulking coal-fired plant with a single large smokestack and conveyor belts; biomass 4.3 GW occupies the right-centre as several medium-sized industrial buildings with wood-chip storage domes and short stacks releasing faint pale smoke; wind onshore 3.0 GW and wind offshore 0.6 GW appear in the far right as a sparse line of three-blade turbines on lattice towers, their rotors nearly motionless in the still air; hydro 1.4 GW is suggested by a small dam structure with spillway visible in the far distance. The scene is set at midnight under a completely dark, black sky with faint stars — absolutely no twilight, no sky glow on the horizon. All facilities are lit by harsh sodium-orange industrial floodlights and glowing windows, casting amber reflections on surrounding surfaces. The atmosphere feels heavy and oppressive, with a hazy, smoky pall hanging low over the landscape, reflecting the extreme price. Late-spring vegetation — lush green deciduous trees and tall grass — is barely visible in the artificial light. A mild 16.5°C night, perfectly still air, no motion in tree branches or smoke plumes which rise vertically. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep blues, blacks, ochres, and furnace-orange; visible impasto brushwork; dramatic chiaroscuro between the inky sky and the glowing industrial complex; meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and smokestack detail. The painting conveys the solemn grandeur of an industrial landscape straining through a still, expensive night. No text, no labels.