Solar 38.0 GW dominates the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across rolling green hills and village rooftops, covering roughly three-quarters of the composition; biomass 3.8 GW appears as a modest cluster of wood-chip-fired power stations with squat chimneys and thin grey exhaust plumes at the mid-left; wind onshore 2.4 GW is rendered as a scattered line of three-blade turbines on lattice towers along a distant ridge, blades turning lazily in light breeze; brown coal 2.2 GW occupies a far-left background as two hyperbolic cooling towers with faint white steam plumes rising against the sky; natural gas 1.7 GW shows as a compact CCGT plant with a single tall exhaust stack and thin heat shimmer near the brown coal complex; hydro 1.5 GW appears as a small concrete dam with spillway visible in a forested valley to the right; wind offshore 0.8 GW is suggested by tiny turbines on the far horizon above a sliver of grey sea; hard coal 0.7 GW is a single smaller smokestack near the lignite towers, barely smoking. The sky is fully overcast with a uniform milky-white cloud layer but bright — full diffuse daylight of late morning in June, 11:00 hour — the landscape is well-lit with soft shadowless illumination, lush green deciduous trees in full summer leaf, wildflowers in meadows, temperature mild at 18°C. The atmosphere is calm, open, and tranquil, reflecting a zero-euro price — no oppressive haze, just gentle luminous overcast. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated greens and silvers, visible impasto brushwork, atmospheric aerial perspective fading into misty distance — but with meticulous engineering accuracy on every turbine nacelle, PV panel frame, cooling tower shell, and exhaust stack. No text, no labels.