Brown coal 9.5 GW dominates the left third of the scene as a sprawling lignite complex with four massive hyperbolic cooling towers releasing thick white steam plumes into the black night sky, their concrete forms lit by harsh sodium-orange industrial floodlights; natural gas 8.1 GW fills the centre-left as two compact CCGT power stations with tall single exhaust stacks emitting thin heat shimmer, metal cladding gleaming under amber spotlights; hard coal 3.5 GW appears centre-right as a smaller conventional plant with a single rectangular boiler house and a wide chimney trailing grey smoke; biomass 4.0 GW is rendered as a cluster of mid-sized industrial buildings with wood-chip conveyors and modest stacks glowing warmly in the middle distance; onshore wind 2.6 GW shows as a sparse row of five tall three-blade turbines on a low ridge in the right background, their rotors nearly still in the calm air, red aviation warning lights blinking; hydro 1.7 GW appears as a small concrete dam with spillway visible in the far right, subtly floodlit; offshore wind 0.5 GW is barely suggested as a single distant turbine silhouette near the horizon. The sky is completely black — no twilight, no moon, deep navy-black firmament with faint stars — it is midnight in midsummer. The air is warm at 22°C, lush deciduous trees in full dark-green summer foliage frame the foreground, leaves utterly still in the windless night. The atmosphere feels heavy and oppressive, reflecting the 178.8 EUR/MWh price — a dense, humid haze clings low over the industrial landscape, diffusing the sodium lights into amber halos. No solar panels visible anywhere. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between the deep darkness and the industrial glow, atmospheric depth with layers of haze receding into blackness, technically accurate engineering details on every turbine nacelle, cooling tower, and exhaust stack, evoking both sublime grandeur and industrial melancholy. No text, no labels.