Brown coal 9.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes billowing upward into the darkness; natural gas 6.7 GW fills the centre-left as a compact CCGT plant with tall single exhaust stacks and glowing orange-lit turbine halls; hard coal 3.4 GW appears centre-right as a smaller coal-fired station with a single large chimney and conveyor belt silhouettes; biomass 3.7 GW sits beside it as a mid-sized industrial facility with a squat smokestack and wood-chip storage domes lit by sodium lamps; wind onshore 2.5 GW is rendered as a sparse row of three-blade turbines on a distant ridge to the far right, their rotors nearly motionless in the calm air, red aviation lights blinking; wind offshore 0.7 GW appears as tiny turbine silhouettes on a sliver of dark sea visible at the far right horizon; hydro 1.7 GW is a concrete dam structure partially visible in the middle distance with faint floodlighting on its spillway. The time is 3 AM on a June night: the sky is completely black with no twilight, no sky glow, a deep navy-black firmament with scattered stars visible through 38% cloud cover — thin clouds drifting across parts of the sky. The atmosphere is heavy and oppressive, reflecting the high electricity price. The landscape is lush mid-summer with dark green deciduous trees barely visible in the industrial light. All facilities are lit by warm sodium-orange streetlights, fluorescent industrial lighting, and glowing windows. A river in the foreground reflects the amber industrial glow. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette dominated by deep blacks, warm ambers, and steel greys — visible thick brushwork, atmospheric depth and haze from the steam plumes, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The mood is brooding and industrially sublime. No text, no labels.