Brown coal 9.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night; natural gas 6.4 GW fills the centre-left as several compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer; hard coal 3.4 GW appears centre-right as a dark industrial plant with conveyor belts and a single large smokestack; biomass 3.7 GW is rendered as a mid-sized facility with a domed combustion hall and wood-chip storage silos glowing under amber floodlights; hydro 1.7 GW appears as a concrete dam with illuminated spillway in the middle distance; wind onshore 2.4 GW is shown as a small cluster of three-blade turbines on a ridge behind the dam, rotors barely turning in the near-calm air; wind offshore 0.6 GW is suggested by two distant turbines on the far horizon. TIME: 04:00 — full night, completely dark sky with no twilight, deep navy-black overhead, faint stars partially obscured by 68% cloud cover rendered as heavy dark stratiform layers. Artificial lighting only: sodium-orange streetlights along access roads, white industrial floodlights on plant structures, red aircraft-warning beacons atop cooling towers and turbine nacelles. The atmosphere feels heavy, oppressive, weighted — reflecting the high electricity price. Vegetation: midsummer lush green grass and deciduous trees visible only where caught by artificial light, otherwise silhouetted in darkness. Temperature is mild at 16°C, a faint ground-level mist drifts across meadows between the power stations. STYLE: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, deep colour palette dominated by blacks, deep blues, warm ambers, and industrial oranges; visible impasto brushwork; atmospheric depth with layers of haze and steam; meticulous engineering detail on turbine nacelles, lattice towers, cooling tower parabolic curves, CCGT exhaust geometry, and coal conveyor systems. The scene evokes Caspar David Friedrich's nocturnal sublime but populated with precise industrial infrastructure. No text, no labels.