Brown coal 9.4 GW dominates the left third of the scene as a vast lignite power complex with four hyperbolic cooling towers trailing thick white steam plumes into the grey sky; natural gas 6.5 GW fills the centre-left as a pair of CCGT plants with tall slender exhaust stacks and modest heat shimmer; solar 5.0 GW appears centre-right as extensive fields of aluminium-framed crystalline silicon panels stretching across flat farmland, their surfaces reflecting only dull grey light under total overcast; biomass 3.8 GW is rendered as a wood-chip-fed industrial facility with a squat cylindrical silo and a single stack emitting faint vapour; hard coal 3.5 GW sits behind the brown coal complex as a smaller plant with a rectangular boiler house and conveyor belts carrying dark fuel; wind onshore 1.6 GW appears as a sparse row of three-blade turbines on a distant ridge, rotors completely still; hydro 1.7 GW is depicted as a concrete run-of-river weir with water spilling over in the mid-ground alongside a green riverbank; wind offshore 0.4 GW is barely visible as tiny turbine silhouettes on the far horizon. The sky is dawn at 06:00 in late June—pale pre-dawn light filtering through a uniformly dense 100% cloud layer, deep blue-grey tones overhead fading to a slightly lighter grey at the horizon, no direct sunlight, no visible sun disc. The atmosphere feels heavy and oppressive, reflecting the extreme 178 EUR/MWh price—low brooding clouds pressing down on the industrial landscape. Vegetation is lush midsummer green at 16°C, with dew on grass and leaves. The air is perfectly still, no motion in tree branches or flags. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen—rich impasto brushwork, atmospheric depth with layered fog and industrial haze, dramatic chiaroscuro between the glowing furnace light of the coal plants and the cold grey dawn. Meticulous engineering detail on every technology. No text, no labels.