Solar 31.2 GW dominates the right two-thirds of the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across golden-brown summer farmland, angled toward a fierce low sun; brown coal 7.8 GW occupies the far left as a cluster of massive hyperbolic concrete cooling towers emitting thick white-grey steam plumes rising into the hazy sky; hard coal 3.4 GW appears as a single dark power station with rectangular stacks and conveyor belts beside a coal yard, adjacent to the lignite plant; natural gas 3.4 GW is rendered as two compact CCGT units with slender silver exhaust stacks and thin heat shimmer; biomass 3.7 GW sits as a modest wood-chip fired plant with a green-roofed boiler hall and a single chimney trailing pale smoke; hydro 1.7 GW appears as a small concrete dam with spillway in a low river valley in the mid-distance; wind onshore 0.8 GW shows as two or three idle-looking three-blade turbines on distant hills, rotors barely turning. The sky is a dusk transition at 17:00 Berlin time — the sun hangs low in the west, casting intense orange-amber light across the landscape, the upper sky fading from washed blue to warm apricot near the horizon. The atmosphere feels heavy, oppressive, shimmering with 33°C heat haze — parched grass, wilting crops, dust hanging in the still air. No wind stirs the landscape. A faint industrial haze blurs the horizon where the coal towers stand. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible impasto brushwork, atmospheric depth and luminous golden-hour chiaroscuro — but with meticulous engineering accuracy on every turbine nacelle, panel frame, cooling tower flute, and exhaust stack. The composition evokes both Caspar David Friedrich's sublime horizons and Adolph Menzel's industrial precision. No text, no labels.