Brown coal 8.8 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky; solar 13.0 GW occupies the centre-right foreground as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat terrain, their surfaces dull and reflective-grey under dense cloud cover with no sunshine; natural gas 5.6 GW appears centre-left as a group of compact CCGT power stations with tall single exhaust stacks emitting thin heat haze; hard coal 3.8 GW sits behind the gas units as an older plant with twin chimneys and a coal conveyor; biomass 3.9 GW is rendered as a mid-sized industrial facility with a rounded wood-chip storage dome and a single smokestack near the right; wind onshore 1.9 GW appears as a small cluster of three-blade turbines on a distant ridge, rotors completely motionless; wind offshore 0.9 GW is suggested by faint turbine silhouettes on the far horizon; hydro 1.3 GW is a modest dam and powerhouse nestled in a wooded valley at the far right. The sky is entirely blanketed by low, heavy, unbroken stratus clouds — no sun, no blue, an oppressive and suffocating ceiling pressing down — consistent with 100% cloud cover and a price-driven atmosphere of tension. Lighting is early-morning dawn at 07:00: pale, cool, blue-grey pre-dawn light filtering weakly through the clouds, no direct sunlight, gentle diffuse illumination casting almost no shadows. The season is midsummer: lush green foliage on deciduous trees, tall grass, wildflowers at field edges, but the greenery is muted under the flat light. The air is still — no motion in any foliage or flag. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich layered colour, visible impasto brushwork, atmospheric depth and sfumato in the distance — yet every piece of engineering is rendered with meticulous technical accuracy: turbine nacelles, lattice towers, cooling tower parabolic curves, conveyor gantries, substation transformer yards with high-voltage lines receding into the haze. No text, no labels, no people.