Brown coal 9.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into a completely dark summer night sky; wind onshore 8.5 GW fills the centre-right as dozens of three-blade turbines on lattice towers stretching across rolling green hills, their red aviation warning lights blinking in the darkness; natural gas 7.1 GW appears as a group of compact CCGT power stations with tall single exhaust stacks venting heat shimmer, illuminated by harsh sodium industrial lighting in the centre-left; hard coal 4.1 GW stands as a smaller coal-fired station with a single large chimney and conveyor belts visible under floodlights, positioned between the lignite towers and the gas plants; biomass 4.0 GW is rendered as a mid-sized industrial facility with a wood-chip storage dome and a modest smokestack, warmly lit from within; wind offshore 1.7 GW appears in the far background right as a faint line of turbines on the horizon with tiny blinking lights; hydro 1.7 GW is suggested by a concrete dam structure at the far left edge with illuminated spillway; solar 0.3 GW is entirely absent — no panels, no sunshine. The sky is completely black with scattered stars, no twilight glow whatsoever — it is fully night. The atmosphere is heavy, oppressive, and hazy, reflecting the extreme price and lingering 28.8°C summer heat — warm humid air visibly distorts light around the industrial facilities. Lush green summer vegetation on the hills is barely visible under the artificial light. The entire scene is lit only by sodium-orange streetlights, white industrial floodlights, glowing furnace windows, and red warning beacons. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich saturated colour, visible impasto brushwork, deep atmospheric perspective — but with meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack. A masterwork industrial nocturne. No text, no labels.