Brown coal 9.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black night sky, their concrete forms lit from below by orange sodium lamps; onshore wind 10.1 GW spans the right third as dozens of tall three-blade turbines on lattice and tubular towers stretching across gentle rolling hills, their red aviation warning lights blinking against the darkness, rotors turning slowly in faint breeze; natural gas 6.7 GW occupies the centre-left as a modern CCGT plant with slim exhaust stacks emitting thin heat shimmer, illuminated by bright white industrial floodlights; hard coal 4.1 GW appears centre-right as a traditional coal plant with a large rectangular boiler house and a single tall chimney, lit by amber security lights; biomass 4.0 GW is rendered as a modest facility with a cylindrical wood-chip silo and low steam vent near the centre foreground; hydro 1.7 GW appears as a small dam structure with water glinting faintly in the lower right; offshore wind 1.7 GW is suggested by distant turbines on the far-right horizon with tiny red lights. The sky is completely dark, deep navy-to-black, cloudless, with scattered stars visible between the steam plumes, and a warm haze hangs at ground level suggesting the 25.5 °C summer night heat. The atmosphere is heavy and oppressive, reflecting the high electricity price — the air feels dense, saturated, almost stifling. Lush midsummer vegetation, dark green deciduous trees in full leaf, lines the foreground meadow. No sunlight, no solar panels anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of Caspar David Friedrich meets industrial sublime, with visible impasto brushwork, dramatic chiaroscuro from artificial lighting against the void of night, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.