Brown coal 9.3 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers exhaling thick white steam plumes into the black sky; onshore wind 9.2 GW fills the right third as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning moderately in the warm breeze, their red aviation warning lights blinking in the darkness; natural gas 5.7 GW occupies the centre-left as a compact CCGT plant with twin exhaust stacks venting shimmering heat haze, lit by sodium-orange industrial floodlights; hard coal 4.1 GW appears behind the lignite station as a smaller conventional plant with a single tall chimney and conveyor belt infrastructure, lit from below; biomass 3.8 GW is rendered as a modest wood-chip-fired facility with a rounded silo and a low smokestack, warm amber light spilling from its open loading bay; hydro 1.6 GW appears as a concrete dam structure in the far background valley, water gleaming faintly under facility lights; offshore wind 1.4 GW is suggested by distant turbines on the far-right horizon with tiny red lights. The sky is completely black — no twilight, no moon, deep navy-to-black gradient — a hot midsummer midnight with only 2% cloud cover revealing scattered stars. The atmosphere is heavy and oppressive, reflecting the high electricity price: humid summer haze softens every light source into glowing halos. Lush green deciduous trees and tall grass in the foreground suggest 25°C warmth. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich impasto brushwork, dramatic chiaroscuro between industrial light and surrounding darkness, atmospheric depth with receding layers of infrastructure, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.