Brown coal 9.6 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes into the still air; solar 13.1 GW fills the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling hills, their surfaces catching the first low-angle rays; wind onshore 6.0 GW appears as a line of tall three-blade turbines on a distant ridge, blades barely turning in near-calm air; wind offshore 2.1 GW is suggested by a cluster of smaller turbines on the far horizon above a river; natural gas 4.8 GW sits centre-left as two compact CCGT units with tall single exhaust stacks and thin heat shimmer; hard coal 4.1 GW appears as a smaller coal plant with a single square cooling tower and conveyor belt beside the lignite station; biomass 3.8 GW is rendered as a modest wood-chip burning facility with a rounded silo and low smokestack at mid-ground right; hydro 1.6 GW is a small dam and powerhouse nestled into a forested valley in the far right background. The sky is early dawn at 07:00 in late June — deep blue-grey overhead transitioning to a pale peach-gold band along the eastern horizon where the sun is just cresting, casting long horizontal golden light across the landscape. The atmosphere feels heavy and oppressive despite the clear sky, with a faint haze clinging to the industrial structures, reflecting the high electricity price. Temperature is warm at 20°C, with lush green summer vegetation — full deciduous canopies, tall grass, wildflowers in meadow edges. Air is perfectly still, no motion in grass or flags. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich saturated colour palette, visible confident brushwork, dramatic atmospheric depth and chiaroscuro between the shadowed foreground industrial structures and the luminous dawn horizon. Meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower's parabolic curve and concrete texture. The composition evokes Caspar David Friedrich's sense of sublime scale but applied to an industrial energy landscape. No text, no labels.