Solar 49.3 GW dominates the scene as an enormous expanse of crystalline silicon photovoltaic panels stretching across rolling central-German farmland, covering roughly four-fifths of the composition, their aluminium frames glinting under fierce direct sunlight. Brown coal 3.8 GW appears at the far left as a cluster of hyperbolic concrete cooling towers with thin white steam plumes rising in the still air, adjacent to a conveyor belt feeding lignite. Biomass 3.5 GW sits behind the solar fields as a mid-sized wood-chip power station with a squat stack and modest exhaust. Hydro 1.9 GW is rendered as a small concrete dam with spillway visible in a river valley at mid-distance. Natural gas 1.7 GW appears as a compact CCGT plant with a single tall exhaust stack and a slim heat-recovery steam generator, placed between the coal and solar. Wind onshore 1.0 GW shows as two distant three-blade turbines on a ridge, their rotors barely turning in the light breeze. Hard coal 0.9 GW is a single older power station with a rectangular smokestack, small in scale, near the brown-coal complex. Wind offshore 0.3 GW is suggested by a tiny silhouette of a single turbine on the far horizon. The time is 14:00 on a scorching summer afternoon: the sun is high and blazing in a nearly cloudless pale-blue sky with only 8% wispy cirrus. The landscape is parched — dry yellowed grass, heat shimmer rising from the fields, wilting crops and stressed deciduous trees with drooping leaves showing the 37.8°C heatwave. The atmosphere is calm, bright, and open — no oppressive clouds, reflecting the rock-bottom electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich saturated colour, visible impasto brushwork, atmospheric aerial perspective, and meticulous engineering accuracy for every technology depicted. No text, no labels.