Brown coal 7.7 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, their concrete shells lit from below by orange sodium lamps; onshore wind 9.4 GW spans the entire right half as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling dark hills, red aviation warning lights blinking on each nacelle; natural gas 3.5 GW appears centre-left as two compact CCGT power blocks with slender exhaust stacks emitting thin heat shimmer, illuminated by industrial floodlights; hard coal 3.3 GW sits beside them as a smaller conventional power station with a single large smokestack and coal conveyor belts under yellow lights; biomass 3.6 GW is rendered as a mid-sized wood-chip-fed plant with a rounded storage dome and a modest stack, warm interior glow visible through high windows; hydro 1.5 GW appears as a concrete dam structure in the far background, water glinting faintly under facility lighting; offshore wind 1.1 GW is suggested by a distant row of turbines on the far-right horizon over a dark sea. The sky is completely black with a deep navy tone near the horizon, no twilight, no moon — a warm June night at 2 AM. Stars are barely visible through a faint industrial haze. The atmosphere feels heavy and oppressive, reflecting a high electricity price: the air is thick, humid, and still at ground level despite the turbines spinning above. Lush summer vegetation — full-canopied deciduous trees, tall grass — is rendered in dark greens visible only where artificial light falls. The ground is slightly damp. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — with rich impasto brushwork, deep atmospheric perspective, warm sodium-orange and cool blue-black colour contrasts, and meticulous engineering detail on every turbine nacelle, cooling tower rib, and exhaust stack. No text, no labels.