Solar 48.8 GW dominates the scene as a vast sea of aluminium-framed crystalline silicon photovoltaic panels stretching across rolling central German farmland, covering nearly three-quarters of the composition. Brown coal 3.7 GW appears at the far left as two hyperbolic concrete cooling towers with lazy white steam plumes rising into the sky. Biomass 3.5 GW sits just right of the cooling towers as a wood-chip-fed power station with a squat industrial chimney and conveyor belts. Wind onshore 3.3 GW stands as a small cluster of three-blade turbines on a distant ridge, their rotors barely turning in the light breeze. Natural gas 1.5 GW is rendered as a compact CCGT plant with a single tall exhaust stack emitting thin heat shimmer. Hard coal 1.3 GW appears as a modest coal-fired station with a rectangular boiler house and a short smokestack beside the gas plant. Wind offshore 1.4 GW is suggested by a few turbines on the far horizon line. Hydro 1.4 GW is a small dam and reservoir nestled in a wooded valley at the right edge. Full midday summer daylight, a high sun blazing through broken cumulus clouds — roughly half the sky is blue, half cloud, with strong direct sunlight casting sharp shadows. The air shimmers with 30°C heat; lush green deciduous trees in full summer leaf line the edges of fields; wildflowers dot the meadows. The atmosphere is bright and calm, reflecting the zero electricity price — open luminous sky, no oppressive haze. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich saturated colour, visible confident brushwork, atmospheric aerial perspective with depth receding to distant blue hills — yet every piece of energy infrastructure is rendered with meticulous engineering accuracy: turbine nacelle housings, lattice towers, panel junction boxes, cooling tower parabolic curvature, steam condensation physics. The scene feels like a masterwork canvas of an industrial pastoral landscape. No text, no labels.