Brown coal 8.7 GW dominates the left third of the scene as a massive lignite power station with three hyperbolic cooling towers billowing thick white steam into the night sky, lit from below by orange sodium lamps; hard coal 4.0 GW appears just right of centre as a pair of tall industrial stacks with red aviation lights and dark conveyor gantries; natural gas 3.5 GW sits nearby as two compact CCGT units with single slender exhaust stacks emitting thin vapour, their metal casings reflecting amber facility lighting; onshore wind 7.6 GW spans the right third and background as a long ridge of modern three-blade turbines on lattice-free tubular towers, their white nacelles faintly visible against the deep black sky, red warning lights blinking on each hub; offshore wind 0.7 GW appears as a tiny cluster of turbines on the far-right horizon, barely distinguishable; biomass 4.0 GW is rendered as a mid-sized industrial plant with a wood-chip storage dome and a single moderately sized stack with a warm glow; hydro 1.5 GW appears as a concrete dam structure in a valley in the middle distance, water faintly gleaming under facility floodlights. The sky is completely dark, no twilight, no moon, fully overcast at 100% cloud cover forming an oppressive low ceiling faintly illuminated from below by industrial light pollution in shades of dull orange and sickly yellow, conveying the high electricity price. Temperature is 27.4°C: the summer night air is humid and heavy, lush dark-green deciduous trees with full canopies line the foreground, leaves barely stirring in the modest 13 km/h breeze. No solar panels anywhere. The atmosphere is thick, warm, and brooding. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, deep chiaroscuro contrasts between the inky sky and the industrial glow, atmospheric depth receding into hazy darkness, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.