Brown coal 8.8 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white-grey steam plumes into the black sky; hard coal 4.0 GW appears centre-left as a coal-fired plant with tall rectangular stacks and red aviation warning lights blinking; wind onshore 5.3 GW occupies the centre as a line of modern three-blade turbines on lattice towers turning slowly on a distant ridge, their nacelle lights blinking white; natural gas 3.3 GW sits centre-right as a compact CCGT plant with a single slender exhaust stack glowing faintly from internal combustion light; biomass 3.6 GW appears as a mid-sized industrial facility with a wood-chip conveyor and a squat smokestack emitting thin pale vapour; hydro 1.4 GW is rendered far right as a concrete dam spillway with sodium-yellow floodlights illuminating cascading water; wind offshore 0.9 GW is a cluster of distant turbines on the far horizon barely visible against the darkness. The sky is completely black with full 100% overcast — no stars, no moon, no twilight glow whatsoever, only a deep oppressive blanket of warm humid cloud reflecting faint amber-orange industrial light from below. The atmosphere feels heavy and stifling, conveying the high electricity price. Vegetation is lush midsummer green visible only under artificial light — sodium streetlamps cast pools of orange along an access road in the foreground. The warm 22.4 °C night is suggested by slight haze and humid air softening distant lights. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts, atmospheric depth receding into industrial haze — but with meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.