Brown coal 7.7 GW dominates the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes; wind onshore 5.5 GW spans the upper-centre background as a long row of three-blade turbines on lattice towers turning steadily in moderate wind across rolling green hills; hard coal 4.0 GW appears centre-left as a large coal plant with rectangular chimneys and conveyor belts feeding dark fuel; biomass 3.7 GW sits centre-right as a cluster of wood-chip burning facilities with cylindrical silos and modest exhaust stacks; natural gas 3.4 GW occupies the right-centre as two compact CCGT units with slender single exhaust stacks venting thin heat haze; solar 3.2 GW appears as aluminium-framed crystalline silicon panels in a field at right foreground, their surfaces dull and lightless under total cloud cover reflecting no sun; hydro 1.5 GW is a small dam and penstock visible in the far right valley; wind offshore 0.8 GW appears as a few distant turbines on the far horizon line. The sky is pre-dawn early morning at 06:00 in late June — deep blue-grey light with the faintest pale glow low on the eastern horizon, no direct sunlight, 100 percent cloud cover forming a heavy unbroken grey ceiling pressing down oppressively, suggesting high electricity prices. The landscape is lush summer green with deciduous trees in full leaf at 21.8°C, grass bending gently in 16 km/h wind. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich dark tonal palette of slate grey, forest green, coal black, and muted copper, visible textured brushwork, atmospheric depth with haze between layers, meticulous engineering accuracy on every turbine nacelle, cooling tower, and panel frame. No text, no labels.