Solar 19.7 GW dominates the right half of the canvas as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland; brown coal 6.6 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes from a lignite power station; wind onshore 6.4 GW appears as a line of tall three-blade turbines on a ridge behind the solar fields, their rotors turning very slowly in light air; biomass 3.7 GW is rendered as a mid-ground industrial plant with a timber yard and a single biomass stack trailing pale smoke; natural gas 3.0 GW sits as a compact CCGT facility with two slim exhaust stacks beside the coal complex; hard coal 2.8 GW appears as a smaller conventional power station with a single square cooling tower and coal conveyors; hydro 1.8 GW is depicted as a concrete dam and penstock structure nestled in a wooded valley at far left; wind offshore 0.6 GW is suggested by distant turbines on the hazy horizon line. The lighting is early dusk at 17:00 in late June Berlin time — the sun is still above the horizon but entirely veiled by a thick, oppressive 95% overcast ceiling of grey-white stratiform cloud; a faint warm orange glow diffuses through the lower western sky near the horizon, casting a muted amber wash across the landscape; the upper sky is heavy pewter grey. The atmosphere feels dense and pressing, conveying the high 115.1 EUR/MWh electricity price. Summer vegetation is lush — green wheat fields, tall grass, leafy deciduous trees — in warm 25°C air. Style: a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting by Caspar David Friedrich and Carl Blechen — rich, layered colour, visible impasto brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, lattice tower, PV module frame, cooling tower shell, and smokestack. The composition balances the industrial sublime with pastoral beauty. No text, no labels.