Brown coal 8.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkening sky; natural gas 5.9 GW occupies the centre-left as a row of compact CCGT power plants with tall single exhaust stacks emitting thin plumes, lit by orange sodium lamps; onshore wind 5.4 GW spans the centre-right as a line of three-blade turbines on lattice towers, blades turning slowly in light wind; hard coal 4.1 GW appears behind the gas plants as a large coal-fired station with prominent chimneys and conveyor belts; biomass 4.1 GW is rendered as a mid-sized wood-chip-fueled plant with a modest smokestack and log piles in the foreground; solar 2.1 GW appears as a small field of aluminium-framed crystalline silicon panels in the lower right, catching the last faint amber light on the western horizon; hydro 1.7 GW is a small concrete run-of-river dam with white water spilling over the weir at the far right edge; offshore wind 0.4 GW is barely visible as a few distant turbines on the far horizon. The sky is deep navy-blue above, transitioning to a narrow band of residual orange-red glow along the western horizon — it is 20:00 in late June, the last trace of civil twilight fading rapidly. The atmosphere feels heavy, oppressive, and hazy, reflecting the extreme electricity price. Summer vegetation is lush and green but darkening into silhouette. Artificial lighting — sodium-yellow streetlights, floodlit industrial yards, glowing control-room windows — provides most illumination. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich saturated colour, visible impasto brushwork, dramatic atmospheric depth, warm industrial glow against cool twilight, and meticulous engineering detail on every turbine nacelle, cooling tower, and panel frame. No text, no labels.