Brown coal 9.4 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lighting; natural gas 7.0 GW fills the centre-left as a pair of modern CCGT plants with tall single exhaust stacks and compact turbine halls, their metal surfaces gleaming under floodlights; hard coal 4.1 GW appears centre-right as a classical coal-fired station with a tall rectangular chimney and coal conveyors; wind onshore 4.9 GW occupies the right portion as a scattered row of three-blade turbines on lattice towers, their rotors nearly motionless in the calm air; biomass 4.1 GW sits in the mid-ground as a wood-chip-fed industrial plant with a modest smokestack and log piles; hydro 1.7 GW appears as a small concrete dam with spillway in the far right background. The sky is completely dark, deep navy-black, clear with scattered stars and no moon glow, zero clouds—a warm midsummer night at 23:00. The atmosphere feels heavy and oppressive despite the clear sky, reflecting the extreme 170 EUR/MWh price: a faint haze of industrial emissions and heat shimmer hangs over the thermal plants. Warm summer vegetation—lush green deciduous trees and tall grass—is barely visible in the peripheral glow of the power stations. No solar panels anywhere. The landscape is a broad German river valley. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich impasto brushwork, dramatic chiaroscuro from the industrial lighting against the black sky, atmospheric depth and luminous contrasts between sodium-orange facility lights and cool starlit darkness. Meticulous engineering detail on every turbine nacelle, cooling tower, exhaust stack, and conveyor. No text, no labels.