Brown coal 9.6 GW dominates the left third of the scene as a massive cluster of hyperbolic cooling towers with thick white-grey steam plumes rising into the night sky, lit from below by orange sodium lamps; natural gas 5.6 GW fills the centre-left as two compact CCGT power plants with tall singular exhaust stacks emitting thin vapour trails, their steel structures gleaming under industrial floodlights; hard coal 4.0 GW appears centre-right as a gritty coal-fired station with rectangular boiler houses and a single large chimney stack, coal conveyors faintly visible; onshore wind 4.5 GW occupies the right quarter as a row of tall three-blade turbines on lattice towers, blades barely turning in the still air, red aviation warning lights blinking at their nacelles; biomass 3.8 GW appears as a modest wood-clad biomass plant with a short smokestack near the wind turbines; hydro 1.7 GW is suggested by a small concrete dam with spillway in the far background. The sky is completely dark, deep navy-black, no stars visible through 94% cloud cover, no twilight or sky glow — a warm humid summer night at 1 AM. The air feels heavy and still. Lush green deciduous trees and tall grass in the foreground suggest midsummer warmth at 19°C, barely illuminated by the amber glow of the industrial facilities. A calm, open atmosphere despite the industrial density, reflecting a 0.0 EUR/MWh price — no oppressive tension. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich deep colours, visible impasto brushwork, atmospheric depth with layers of industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower shell, and gas stack. The painting balances the sublime darkness of the natural night with the glowing warmth of human industry. No text, no labels.