Brown coal 10.0 GW dominates the left third of the scene as a vast complex of hyperbolic cooling towers emitting thick white steam plumes into the black sky; natural gas 6.3 GW fills the centre-left as several compact CCGT units with tall single exhaust stacks and glowing orange flares; hard coal 4.0 GW appears centre-right as a dense industrial facility with conveyor belts, stockpiles, and twin chimneys trailing grey smoke; biomass 3.8 GW is rendered as a cluster of smaller industrial plants with timber-clad facades and modest stacks, warm amber light spilling from their interiors; wind onshore 3.4 GW occupies the right side as a sparse row of three-blade turbines on lattice towers, their rotors barely turning in the still air, lit by red aviation warning lights; hydro 1.8 GW appears in the far right background as a concrete dam with faint spillway illumination; wind offshore 0.4 GW is suggested by a distant single turbine silhouette on a dark horizon line. The time is 2 AM: the sky is completely black with full 100% cloud cover — no stars, no moon, no twilight glow — only a deep oppressive charcoal-black canopy pressing down on the scene, conveying the high electricity price. Sodium-orange streetlights line an access road weaving between the facilities. The summer landscape has lush dark green vegetation dimly visible at ground level, warm 18°C air carrying wisps of humidity. The atmosphere is heavy, muggy, and still — almost no wind motion. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of blacks, deep blues, warm oranges and industrial yellows; visible impasto brushwork; atmospheric depth with layers of steam and haze receding into darkness; meticulous technical accuracy in every turbine nacelle, cooling tower curvature, and CCGT exhaust stack. The scene feels monumental and brooding, a masterwork industrial nocturne. No text, no labels.