Brown coal 9.1 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky; hard coal 4.1 GW appears just right of centre as a smaller set of cooling towers and a coal-fired boiler house with conveyor belts and coal stockpiles; natural gas 6.1 GW occupies the centre-right as three compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer; solar 11.2 GW stretches across the middle ground as vast fields of aluminium-framed crystalline silicon PV panels, their surfaces dull and reflective only of the flat grey sky, producing diffuse-light power; wind onshore 3.0 GW appears as a sparse row of three-blade turbines on a distant ridge, rotors turning slowly in the light breeze; wind offshore 0.5 GW is faintly suggested as a few tiny turbines on the far horizon; biomass 4.0 GW is rendered as a mid-sized industrial plant with a wood-chip silo and a modest smokestack on the right edge; hydro 1.8 GW appears as a concrete dam with a spillway set into a forested valley in the far right background. The sky is entirely overcast at 100% cloud cover — a heavy, uniform blanket of grey stratus without any blue or sun, pressing down oppressively to reflect the 180 EUR/MWh price tension. The lighting is full but flat summer daylight at 08:00, diffuse with no shadows, 17.6°C air — lush green deciduous trees in full July leaf, wildflowers and tall grass in the foreground. The atmosphere feels heavy and humid. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich colour palette of greys, greens, and industrial ochres, visible confident brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, every cooling tower's concrete texture, every PV cell's grid pattern. No text, no labels.