Brown coal 8.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into a dark night sky; natural gas 5.5 GW occupies the centre-left as compact CCGT plants with tall single exhaust stacks emitting thin vapour, lit by sodium-orange industrial floodlights; hard coal 4.1 GW appears centre-right as a heavy block-shaped power station with conveyor belts and a single large chimney; onshore wind 5.0 GW stretches across the right quarter as a line of modern three-blade turbines on lattice towers, their red aviation lights blinking against the black sky; solar 2.5 GW is rendered as a field of aluminium-framed crystalline silicon panels in the mid-ground, barely visible, catching only the last traces of fading amber horizon glow far in the west; biomass 4.1 GW appears as a medium-scale wood-chip facility with a modest smokestack near the wind turbines; hydro 2.0 GW is suggested by a concrete dam and spillway in the distant right background, illuminated by a few white floodlights; offshore wind 0.4 GW is a faint silhouette of two turbines on the far horizon. The sky is fully dark, deep navy-black, no twilight, no sky glow—it is 20:00 in July but the sun has set; only artificial lighting illuminates the scene: sodium streetlights cast orange pools, industrial floodlights throw harsh white cones across concrete and steel. The atmosphere is heavy and oppressive, with a warm haze hanging over the landscape reflecting the extreme electricity price. Lush midsummer vegetation—tall grasses, full-leafed deciduous trees—frames the foreground in dark greens barely visible in the artificial light. A light breeze stirs the grass and tree leaves. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich colour palette, visible impasto brushwork, atmospheric depth and chiaroscuro—yet with meticulous engineering accuracy on every turbine nacelle, cooling tower curve, panel frame, and exhaust stack. No text, no labels.