Solar 41.9 GW dominates the centre and right of the composition as vast rolling fields of aluminium-framed crystalline silicon photovoltaic panels stretching toward the horizon, their blue-black surfaces reflecting diffuse midday light; onshore wind 25.0 GW fills the upper half and left third as dozens of tall three-blade turbines with white tubular towers and detailed nacelles, blades visibly turning in moderate wind across green summer hills; offshore wind 2.5 GW appears in the far background as a small cluster of turbines on a hazy sea horizon at the painting's left edge; brown coal 2.4 GW is rendered as two modest hyperbolic cooling towers with thin white steam plumes in the far left middle ground; hard coal 1.8 GW stands nearby as a single dark industrial stack with minimal exhaust; natural gas 1.7 GW appears as a compact CCGT plant with a slender exhaust stack and faint heat shimmer to the left of centre; biomass 3.7 GW is depicted as a medium-sized wood-clad power station with a short chimney and a pile of timber beside it, placed in the centre-left; hydro 1.6 GW shows as a small concrete weir with rushing water in the foreground stream. Time is 11:00 on a summer day: full daylight with a high sun partially veiled by 68% broken cumulus clouds, creating patches of bright direct light and soft shadow across the landscape. Temperature 18.7°C: lush green deciduous trees in full leaf, wildflowers, vibrant summer meadows. Wind at 18.2 km/h animates grass, leaves, and cloud movement. The negative price creates a calm, expansive, open sky — spacious and serene, not oppressive. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, golden-green palette, atmospheric aerial perspective fading to misty blue hills, dramatic yet tranquil mood, meticulous engineering detail on every turbine nacelle, PV module frame, and cooling tower curvature. No text, no labels.