Wind onshore 22.0 GW dominates the scene, depicted as vast ranks of tall three-blade turbines stretching across rolling green hills from the centre to the far right, their rotors slowly turning in moderate breeze. Wind offshore 4.3 GW appears in the distant background as a faint line of turbines on the dark horizon over a barely-visible sea. Brown coal 4.7 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night sky, their concrete forms lit from below by orange sodium lights. Biomass 4.2 GW sits just right of the brown coal plant as a medium-scale industrial facility with a tall rectangular stack and a woodchip storage dome, warmly lit by industrial floodlights. Natural gas 3.4 GW appears as a compact CCGT power station with two sleek exhaust stacks and a visible heat-recovery unit, positioned centre-left, its stainless-steel surfaces catching artificial light. Hard coal 3.1 GW is rendered as a dark angular power station with conveyor belts and a large smokestack, positioned behind the gas plant, coal piles dimly visible. Hydro 1.6 GW appears as a small dam and penstock structure nestled in a valley in the middle distance, water glinting faintly under facility lighting. Solar 0.3 GW is represented only by a small darkened field of crystalline PV panels in the right foreground, entirely unlit, reflecting nothing — no sunshine whatsoever. The sky is completely dark, a deep navy-black summer night with scattered stars visible through clear skies — zero cloud cover. A warm 18.9°C July evening; lush green deciduous trees in full summer leaf frame the edges, their foliage barely discernible in the darkness. The overall atmosphere is heavy and oppressive despite the clear sky, reflecting the high 130 EUR/MWh electricity price — a subtle haze near the industrial facilities, sodium-orange light pools creating dramatic chiaroscuro against the black sky. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich colour, visible impasto brushwork, and atmospheric depth — reminiscent of Caspar David Friedrich meeting industrial realism. Meticulous engineering detail on all turbine nacelles, lattice towers, cooling tower geometry, and CCGT exhaust structures. No text, no labels.