Wind onshore 18.3 GW dominates the right half and background as dozens of three-blade turbines on lattice towers stretching across rolling mid-German hills, rotors turning steadily in moderate wind. Wind offshore 3.7 GW appears as a distant cluster of larger turbines on the far-right horizon beyond a dark river. Brown coal 4.5 GW occupies the left foreground as two massive hyperbolic cooling towers with thick white steam plumes rising into the night sky, flanked by conveyor belts and lignite stockpiles. Biomass 4.3 GW sits left of centre as a mid-sized industrial plant with wood-chip silos, warm amber-lit windows, and a single smokestack with faint exhaust. Natural gas 3.3 GW appears centre-right as a compact combined-cycle gas turbine facility with a tall single exhaust stack and a visible heat-recovery steam generator, lit by sodium-yellow industrial lighting. Hard coal 2.5 GW is rendered centre-left as a smaller coal-fired station with a pair of rectangular cooling towers and a coal conveyor. Hydro 1.6 GW is suggested by a modest dam structure along the river in the middle distance, water glinting under artificial floodlights. Time is 23:00 in July: the sky is completely dark, deep navy-black, nearly cloudless with 4% cloud cover — sharp stars visible overhead, no twilight, no sky glow whatsoever. The scene is illuminated only by sodium streetlights casting orange pools on access roads, red aviation warning lights blinking atop turbine nacelles and smokestacks, and warm industrial lighting from plant buildings. Summer vegetation is lush: dark green deciduous trees, tall grass in the foreground, wildflowers faintly visible in lamplight. Temperature is mild at 16.6°C — no frost, no haze. The atmosphere is heavy and oppressive despite the clear sky, conveying the tension of a high-price hour: a subtle warm amber-brown tonal cast pervades the lower atmosphere as if the air itself is thick with cost. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour, visible confident brushwork, dramatic chiaroscuro between deep shadow and artificial light sources, atmospheric depth receding into darkness. Each technology rendered with meticulous engineering accuracy: turbine nacelle housings, three-blade rotor geometry, aluminium cooling tower frameworks, CCGT heat exchangers. The composition evokes Caspar David Friedrich's sense of the sublime but applied to an industrial nocturne. No text, no labels, no people.