Solar 41.0 GW dominates the entire foreground and middle ground as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across rolling central German farmland, their blue-black surfaces glinting under strong midday sun; wind onshore 10.6 GW fills the right third of the scene as dozens of tall three-blade turbines on lattice and tubular towers dotting green hillsides, blades turning gently in light breeze; wind offshore 1.7 GW appears as a thin line of turbines on the distant hazy horizon; biomass 3.8 GW is rendered as a cluster of modest wood-chip-fired power stations with short stacks and thin white exhaust plumes at the left-centre; brown coal 1.9 GW occupies a small area at the far left as two hyperbolic concrete cooling towers with faint steam wisps rising above a lignite plant; natural gas 1.4 GW sits beside them as a compact CCGT facility with a single tall exhaust stack and minimal flue gas; hydro 1.4 GW appears as a small concrete run-of-river weir and powerhouse nestled along a river in the mid-left; hard coal 0.3 GW is a single subdued smokestack barely visible behind the brown coal towers. The sky is midday bright with broken cumulus clouds covering roughly half the sky, allowing strong direct sunlight to illuminate the panels and cast crisp shadows; the atmosphere is calm, open, and luminous, reflecting the negative electricity price. Summer vegetation is lush — green deciduous trees, golden-green wheat fields, wildflowers along field margins — at approximately 20°C. The composition is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich saturated colour, visible impasto brushwork, atmospheric aerial perspective fading to soft blue haze at the horizon, and meticulous engineering detail on every turbine nacelle, panel frame, and cooling tower. No text, no labels.