Solar 29.8 GW dominates the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across the entire foreground and middle ground, covering gentle rolling hills; wind onshore 15.3 GW fills the right half and background as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning briskly in moderate wind; wind offshore 2.7 GW appears as a distant cluster of turbines on the far-right horizon; biomass 3.8 GW is rendered as a mid-sized wood-chip power plant with a squat smokestack and timber yard at center-left; brown coal 1.9 GW appears as a single hyperbolic cooling tower with a thin steam plume on the far left; hydro 1.5 GW is a small dam with spillway visible in a valley at left-center; natural gas 1.4 GW is a compact CCGT plant with a slim exhaust stack and modest heat shimmer beside the cooling tower; hard coal 0.3 GW is a tiny, barely visible coal plant stack far in the distance behind the cooling tower. The sky is entirely overcast with a thick, unbroken layer of silver-grey stratocumulus clouds, yet the scene is brightly lit with soft diffuse afternoon daylight at 16:00 in summer — no direct sun visible but ambient light is strong and even, casting no harsh shadows. The landscape is lush midsummer green, with full-leafed deciduous trees, tall grasses, and wildflowers suggesting 24°C warmth. The atmosphere is calm and open, reflecting the near-zero electricity price — no oppressive weight, just a tranquil, luminous overcast. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated greens, silvery sky rendered with visible impasto brushwork, atmospheric depth with subtle aerial perspective, meticulous engineering detail on every turbine nacelle, every PV panel frame, every cooling tower's parabolic curve. No text, no labels.