Wind onshore 18.7 GW dominates the scene as vast ranks of three-blade turbines with white lattice towers stretching across rolling central German hills, occupying over half the canvas from centre to right; wind offshore 5.3 GW appears as a distant cluster of taller turbines on the far-right horizon above a faintly suggested dark sea; brown coal 3.3 GW occupies the left foreground as two massive hyperbolic cooling towers with pale steam plumes rising into the black sky, lit from below by orange sodium lamps; biomass 3.8 GW sits just right of the cooling towers as a mid-sized industrial plant with a tall exhaust stack and a glowing wood-chip conveyor, warmly lit; natural gas 3.1 GW appears as a compact CCGT facility with a single tall exhaust stack and low-slung turbine hall, situated in the left-middle ground, its metallic surfaces catching artificial light; hydro 1.3 GW is a small concrete dam structure nestled in a valley in the distant centre-left, with white water visible at its base; hard coal 0.8 GW is a single modest smokestack facility barely visible in the far left background. The sky is completely black with no twilight, no moon, full 100% cloud cover obscuring any stars — a heavy, oppressive overcast pressing down on the scene, conveying the elevated electricity price. The landscape is lush summer green, visible only where sodium streetlights and industrial floodlights cast pools of warm orange and white light. Turbine nacelles sport red aviation warning lights blinking in the darkness. The atmosphere is humid and warm at 18°C, with a faint ground mist clinging to the meadows between the turbine rows. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between deep shadows and warm artificial light, atmospheric depth receding into hazy darkness, meticulous engineering detail on every turbine nacelle, cooling tower, and industrial structure. No text, no labels.