Wind onshore 19.7 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines with white lattice towers stretching across rolling summer hills into the deep distance, rotors spinning visibly in moderate wind; wind offshore 5.1 GW appears on the far right horizon as silhouettes of turbines standing in a dark sea glimpsed between hills; biomass 3.7 GW sits in the centre-left as a compact industrial plant with a timber yard, lit by warm sodium lights with thin white steam rising from its stack; brown coal 3.1 GW occupies the left foreground as a pair of large hyperbolic cooling towers with heavy white steam plumes billowing upward, lit from below by orange industrial floodlights; natural gas 3.0 GW appears just left of centre as a modern CCGT facility with a single tall exhaust stack and compact turbine hall, glowing with blue-white halide lighting; hydro 1.3 GW is visible as a small concrete dam structure in a valley in the mid-left distance with security lights reflecting off dark water. The sky is entirely dark — deep navy-black, no twilight, no horizon glow — it is 4 AM in July. Sparse stars peek through 35% scattered clouds. The summer landscape has lush green vegetation faintly visible under artificial light, with warm-season deciduous trees fully leafed. The atmosphere feels heavy and oppressive, reflecting the elevated electricity price — a faint industrial haze hangs in the air, slightly dulling the stars. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark palette, visible impasto brushwork, dramatic atmospheric depth, and meticulous engineering accuracy on every turbine nacelle, cooling tower hyperbola, and CCGT exhaust stack. No text, no labels.