Solar 27.3 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling hills, catching diffuse summer daylight through a hazy overcast sky; wind onshore 19.8 GW fills the centre and extends into the distance as dozens of tall three-blade turbines on lattice and tubular towers, blades visibly turning in moderate wind; wind offshore 2.0 GW appears as a small cluster of turbines on the far horizon above a faint coastal line; biomass 3.9 GW is rendered in the left-centre as a modest industrial facility with a wood-chip silo and a single low exhaust stack with faint white steam; brown coal 2.0 GW occupies the far left as two hyperbolic cooling towers emitting thin wisps of steam, with a conveyor belt of dark lignite visible at the base; natural gas 1.4 GW appears as a compact single-stack CCGT plant just beside the cooling towers, its exhaust barely visible; hydro 1.1 GW is suggested by a small dam and reservoir nestled in a wooded valley in the left background; hard coal 0.2 GW is a tiny, nearly dormant brick smokestack beside the gas plant with no visible emissions. The sky is 73% covered with layered summer clouds, but bright diffuse daylight floods the scene at a 10:00 summer sun angle — patches of blue visible between clouds, soft shadows on the ground. Vegetation is lush midsummer green, wildflowers dot meadow edges, temperature around 21°C gives a warm pleasant atmosphere. The overall mood is calm and open, reflecting zero electricity price — no oppressive haze, generous horizon depth. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible textured brushwork, atmospheric aerial perspective — but with meticulous engineering accuracy on every turbine nacelle, PV cell grid, cooling tower hyperbolic curve, and CCGT exhaust geometry. No text, no labels, no human figures prominent.