Solar 32.0 GW dominates the foreground and middle ground as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling summer farmland, their blue-grey surfaces reflecting diffused white light; wind onshore 18.8 GW fills the mid-ground and right side of the composition as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning steadily in moderate wind; wind offshore 1.9 GW appears as a distant cluster of turbines on the far-right horizon; biomass 3.6 GW is rendered as a mid-sized industrial plant with a wood-chip silo and single stack emitting thin white exhaust, positioned left of centre; brown coal 2.0 GW occupies the far left as a pair of hyperbolic cooling towers with lazy steam plumes rising into overcast sky; natural gas 1.4 GW sits beside the coal as a compact CCGT unit with a single polished exhaust stack; hydro 1.4 GW appears as a small concrete dam with spillway visible in a valley in the left background; hard coal 0.2 GW is a single small smokestack barely visible behind the gas plant. The sky is a luminous but heavily overcast 97% cloud layer, bright silver-white at the zenith with no visible sun disc — full midday daylight diffused uniformly, casting soft shadowless illumination. The landscape is lush midsummer green — tall grass, wildflowers, deciduous trees in full leaf, temperature around 22°C suggesting warm humid air with a slight haze. The atmosphere feels calm and open, reflecting the near-zero electricity price — no oppressive tones. Painted in the style of a highly detailed 19th-century German Romantic landscape oil painting — rich colour palette of greens, silver-greys, and muted blues, visible confident brushwork, atmospheric aerial perspective with depth fading to soft haze at the horizon, meticulous engineering detail on every turbine nacelle, every PV cell grid line, every cooling tower's hyperbolic curve and concrete texture. The composition conveys the overwhelming scale of renewables dwarfing the small fossil-fuel remnants at the margin. No text, no labels.