Wind onshore 17.1 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling hills into the distance, blades turning moderately; brown coal 4.2 GW occupies the far left as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the dark sky, lit from below by amber industrial lights; biomass 4.4 GW appears left-of-centre as a large wood-chip-fired power station with a tall rectangular stack and conveyor belts, glowing warmly from interior lighting; natural gas 2.9 GW sits at centre as a compact combined-cycle gas turbine facility with a slender exhaust stack and visible heat shimmer; hard coal 2.2 GW appears as a smaller conventional plant with a single large chimney and coal hoppers near the brown coal complex; wind offshore 2.9 GW is glimpsed at the far right horizon as a line of turbines standing in dark water, their red aviation warning lights blinking; hydro 1.3 GW is represented by a small dam and reservoir in the mid-ground valley with a faint white overflow stream. The sky is completely dark, deep navy-black, no twilight, no sunset glow — full nighttime at 21:00 in July. Heavy 100% overcast clouds press low, reflecting a dull orange-sodium glow from the industrial facilities below. The atmosphere feels thick and oppressive, suggesting the high electricity price. The landscape is lush summer green with full deciduous trees, visible only where artificial light falls on them. Sodium streetlights line a small road threading between the installations. Scattered lit windows of a small German town glow in the middle distance. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich dark colours, visible confident brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.