Brown coal 6.0 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by orange sodium lamps; hard coal 2.4 GW appears just right of centre-left as a smaller coal plant with a tall rectangular stack and conveyor belts, glowing dimly under industrial floodlights; natural gas 3.0 GW occupies the centre as two compact CCGT units with slender single exhaust stacks emitting thin vapour, their metallic housings catching amber light; wind onshore 11.5 GW spans the entire right half and background as dozens of three-blade turbines on lattice and tubular towers stretching across dark rolling hills, their red aviation warning lights blinking in unison; wind offshore 2.0 GW is suggested by a distant row of turbines on the far-right horizon above a dark river or estuary; biomass 4.2 GW appears as a medium-sized plant with a broad smokestack and wood-chip storage silos near the coal complex on the left, warmly lit; hydro 1.3 GW is represented by a small concrete dam structure in the mid-ground valley with water spilling, subtly illuminated. The sky is completely dark, deep black-navy, 97% overcast with no stars visible, heavy low clouds faintly catching the industrial glow from below, creating an oppressive, heavy atmosphere reflecting the high electricity price. The season is midsummer — lush dark vegetation on hillsides, dense deciduous tree canopies barely visible in the gloom. Moderate wind animates the turbine blades and bends the grass. No sunlight, no solar panels anywhere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of indigo, umber, and amber — visible impasto brushwork, atmospheric chiaroscuro depth, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack, evoking Caspar David Friedrich's nocturnal sublimity merged with industrial realism. No text, no labels.