Solar 30.3 GW fills the broad centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching to the horizon, their surfaces reflecting a flat white-grey sky; wind onshore 25.0 GW dominates the left and centre as dozens of three-blade turbines on tall lattice and tubular towers, rotors spinning briskly in moderate wind; wind offshore 4.5 GW appears in the distant far left as a cluster of turbines rising from a narrow strip of grey sea; biomass 3.7 GW is rendered as a mid-ground wood-chip power station with a modest stack and fuel storage dome; brown coal 2.9 GW occupies a small portion of the far left background as two hyperbolic cooling towers emitting thin wisps of white steam; natural gas 1.5 GW sits beside them as a compact CCGT block with a single exhaust stack and barely visible heat shimmer; hydro 1.4 GW appears as a small concrete dam with spillway in a wooded valley at the right edge; hard coal 0.3 GW is a single small stack nearly idle in the deep background. TIME: early afternoon under full 100% overcast — bright but entirely diffuse daylight, no shadows, no direct sun, a uniform pearl-grey sky from horizon to zenith. Temperature 21.5°C, lush midsummer green foliage on deciduous trees, tall grass swaying in 16.6 km/h wind. The atmosphere is calm, open, and expansive, reflecting the very low electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich colour palette of greens, greys, and muted silvers; visible confident brushwork; atmospheric aerial perspective with haze softening distant elements. Each energy technology rendered with meticulous engineering accuracy: turbine nacelles and blade pitch mechanisms, PV cell grid patterns, cooling tower parabolic geometry, CCGT exhaust diffusers. The composition conveys a peaceful industrial pastoral — technology and nature coexisting under a quiet summer sky. No text, no labels.