Wind onshore 28.2 GW dominates the scene as vast ranks of three-blade turbines on tall lattice and tubular towers stretching across the right two-thirds of the canvas, their rotors visibly turning in moderate wind over rolling green summer farmland; wind offshore 4.9 GW appears as a distant cluster of larger turbines on the far-right horizon above a faint sea line; solar 13.2 GW occupies the center-left foreground as extensive fields of aluminium-framed crystalline silicon PV panels reflecting muted grey-copper light; brown coal 4.1 GW rises at the far left as two large hyperbolic cooling towers with thick white-grey steam plumes drifting east; biomass 3.9 GW appears as a medium-sized industrial plant with a wood-chip storage dome and a single smokestack beside the coal station; natural gas 2.9 GW is rendered as a compact CCGT facility with a slender exhaust stack and visible heat shimmer, positioned between the coal towers and the solar field; hydro 1.4 GW is suggested by a small concrete dam and reservoir nestled in low hills at the far left background; hard coal 0.5 GW appears as a single smaller stack with minimal output near the lignite plant. TIME AND LIGHT: 18:00 Berlin summer dusk — the sun is low and hidden behind heavy 82% overcast, casting a warm but diffuse amber-copper glow along the lower horizon, the upper sky deepening to slate grey and blue-grey, creating an oppressive, heavy atmospheric ceiling reflecting the high electricity price. Summer vegetation is lush — tall green wheat, wildflowers, dense deciduous tree canopies at 24.9°C. Wind is visible in bending grass, swaying branches, and turbine blade motion. The atmosphere is thick, humid, almost brooding. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich saturated colour, visible impasto brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower's parabolic curve and reinforced concrete texture. No text, no labels, no people in the foreground.