Solar 34.4 GW dominates the right half of the scene as an enormous field of aluminium-framed crystalline silicon PV panels stretching to the horizon, their surfaces reflecting diffuse grey-white light; wind onshore 26.6 GW fills the centre and left-centre as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning at moderate speed; wind offshore 5.2 GW appears in the far background as a line of turbines visible on a hazy sea horizon at the left edge; brown coal 3.8 GW occupies the far left as two hyperbolic concrete cooling towers with thin wisps of steam, beside a modest lignite plant with conveyor belts and coal bunkers; biomass 3.8 GW appears as a mid-sized wood-chip power station with a single stack and stored timber nearby, placed between the cooling towers and the wind turbines; natural gas 2.1 GW is rendered as a compact CCGT unit with a slim exhaust stack and minimal heat shimmer, tucked behind the biomass plant; hydro 1.3 GW is a small run-of-river weir with a low concrete dam visible along a river in the mid-ground; hard coal 0.4 GW appears as a single dark industrial stack barely smoking at the far-left edge. The sky is fully overcast with a smooth, luminous white-grey cloud layer — full July midday daylight at 11:00 with no direct sun, bright and even illumination casting soft shadows. Temperature 21°C: lush green midsummer vegetation, full deciduous canopy, wildflower meadows between turbine bases. The atmosphere is calm and open, reflecting the extremely low electricity price — no oppression, no drama, just vast quiet abundance. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich colour, visible impasto brushwork, atmospheric aerial perspective receding into haze — but with meticulous engineering accuracy on every nacelle, every PV cell grid line, every cooling tower's hyperbolic curvature and reinforced concrete ribbing. No text, no labels.