Wind onshore 33.4 GW dominates the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling green hills from the centre to the far right, their rotors spinning briskly in steady wind; wind offshore 4.9 GW appears as a distant cluster of larger turbines visible on a hazy horizon line above a river or lake in the mid-background; solar 31.3 GW fills the left-centre foreground as enormous fields of aluminium-framed crystalline silicon PV panels covering gentle farmland, their surfaces reflecting diffuse grey-white light; brown coal 3.6 GW occupies the far left as a pair of hyperbolic concrete cooling towers emitting thick white steam plumes, with conveyor belts and a lignite stockpile at their base; natural gas 1.7 GW appears as a modest single-stack CCGT plant with a thin exhaust plume tucked behind the cooling towers; biomass 3.7 GW is rendered as a mid-sized industrial facility with a wood-chip silo and low smokestack near the centre-left; hydro 1.3 GW is suggested by a small weir and turbine house on a stream in the lower foreground; hard coal 0.3 GW is barely visible as a single distant smokestack with the faintest wisp of exhaust. The sky is entirely overcast with a flat, bright white-grey cloud layer typical of a warm summer afternoon at 15:00 — full daylight but no direct sun, diffuse luminosity, no shadows. The air feels warm at 27.6°C: lush dark-green deciduous trees in full summer leaf, tall grass, wildflowers. The atmosphere is calm and expansive, reflecting the negative electricity price — open, unhurried, almost drowsy. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible impasto brushwork, atmospheric aerial perspective — but with meticulous modern engineering detail on every turbine nacelle, every PV cell grid line, every cooling tower's concrete ribbing. No text, no labels, no people in the foreground.