Wind onshore 35.1 GW dominates the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling hills from centre to far right, their rotors visibly spinning in steady wind; wind offshore 5.2 GW appears as a distant line of taller turbines on the far-right horizon above a dark sea inlet; brown coal 6.8 GW occupies the left foreground as two massive hyperbolic cooling towers with thick white steam plumes lit from below by orange sodium lights; natural gas 4.1 GW sits centre-left as a compact CCGT plant with twin exhaust stacks venting thin heat shimmer; hard coal 2.3 GW appears behind the gas plant as a smaller facility with a single squat smokestack and coal conveyor; biomass 4.3 GW is rendered as a mid-ground industrial facility with a wood-chip storage dome and low exhaust; hydro 1.3 GW is a small concrete dam with illuminated spillway at the lower left; solar 0.2 GW is absent — no panels visible. The sky is completely dark, deep navy-black, no twilight, no sky glow, fully overcast at 98% cloud cover so no stars or moon visible. The only light comes from sodium-vapour streetlights casting amber pools, the orange-lit industrial facilities, glowing control-room windows, and red aviation warning lights on turbine nacelles. Summer vegetation — lush dark green deciduous trees, tall grass — is faintly visible in the artificial light. The atmosphere feels heavy and oppressive, a thick humid ceiling pressing down, reflecting the high electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of Prussian blue, amber, and charcoal, visible impasto brushwork, atmospheric depth with industrial haze, meticulous engineering accuracy on every turbine nacelle, cooling tower ribbing, and CCGT stack detail. No text, no labels.