Wind onshore 29.0 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling hills into darkness, red aviation warning lights blinking on nacelles; brown coal 6.5 GW occupies the left background as three massive hyperbolic cooling towers emitting pale steam plumes lit from below by sodium-orange industrial lights; wind offshore 5.6 GW appears as a distant cluster of turbines on the far-right horizon with tiny red lights reflected in a sliver of dark sea; natural gas 4.1 GW sits in the left-center as two compact CCGT units with single tall exhaust stacks emitting thin heat haze, lit by white facility floodlights; biomass 4.2 GW appears as a mid-ground industrial plant with a peaked roof and low smokestack, warmly lit from within; hard coal 2.6 GW is a smaller coal plant to the far left with a single squat cooling tower and conveyor belt structure under harsh spotlights; hydro 1.3 GW is a small dam structure in the lower-left foreground with water glinting under artificial light. The sky is completely black with no twilight, no moon visible, 99% cloud cover creating a thick overcast ceiling faintly reflecting the orange-sodium glow of industry below. The atmosphere feels heavy, oppressive, and humid at 19.7°C — a warm summer night with lush dark-green vegetation barely visible in foreground grass and deciduous trees, leaves stirring in moderate wind. The overall mood is tense and pressured, reflecting the high electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich impasto brushwork, deep chiaroscuro, atmospheric depth with industrial sublime grandeur. Each technology rendered with meticulous engineering accuracy: turbine blade profiles, cooling tower hyperboloid geometry, CCGT exhaust stack proportions. No text, no labels.