Solar 41.1 GW dominates the scene as an enormous expanse of crystalline silicon photovoltaic panels stretching across rolling fields occupying roughly 70% of the composition, their aluminium frames glinting under intense afternoon sunlight; brown coal 4.1 GW appears at the far left as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the sky; wind onshore 4.1 GW is represented by a modest row of three-blade turbines on distant hilltops, their rotors barely turning in the light breeze; biomass 3.5 GW appears as a mid-ground wood-fired combined heat and power plant with a compact biomass silo and thin exhaust; natural gas 1.9 GW is rendered as a single modern CCGT unit with a clean exhaust stack and faint heat shimmer; hard coal 1.7 GW shows as a smaller conventional power station with twin chimneys and light grey smoke; hydro 1.2 GW is depicted as a weir and small run-of-river powerhouse beside a glittering stream in the middle distance; wind offshore 0.2 GW is a faint silhouette of two turbines on a hazy horizon line suggesting the distant North Sea. The lighting is full bright July afternoon at 16:00 Berlin time — high sun slightly past zenith, strong warm light casting short shadows, sky mostly clear with only thin wisps of high cirrus cloud covering about 18% of a vivid blue dome. The atmosphere feels slightly heavy and oppressive reflecting an elevated electricity price — a faint golden haze hangs over the landscape. Summer vegetation is lush deep green, wheat fields golden and nearly ripe, deciduous trees full-canopied. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric depth and luminous sky treatment — yet with meticulous engineering accuracy in every turbine nacelle, PV module busbar, cooling tower shell geometry, and CCGT exhaust detail. No text, no labels.