Solar 50.6 GW dominates the scene as a vast expanse of crystalline silicon photovoltaic panels stretching across rolling summer farmland, covering roughly four-fifths of the composition, their aluminium frames gleaming under a fierce midday sun in a perfectly clear cerulean sky. Biomass 3.5 GW appears in the mid-ground as a compact wood-fired power station with a single smokestack releasing a thin pale plume, surrounded by stacked timber. Brown coal 2.5 GW occupies the far left as two hyperbolic concrete cooling towers with lazy wisps of white steam drifting upward above an open-pit lignite mine with terraced earth in ochre and brown. Wind onshore 2.0 GW is represented by a small cluster of three-blade turbines on a distant hill, their rotors barely turning in the light breeze. Natural gas 1.4 GW sits as a single compact CCGT unit with a slim exhaust stack, nearly lost behind the solar field. Hydro 1.4 GW appears as a small run-of-river weir with a powerhouse along a gentle stream in the middle distance. The landscape is lush high-summer green with mature wheat fields turning golden, wildflowers at field edges, temperature haze shimmering above the panels. The atmosphere is calm and expansive, open sky conveying the negative electricity price. Full bright daylight at 14:00, shadows short, colours saturated. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, luminous atmospheric depth, meticulous engineering detail on every turbine nacelle, panel frame, and cooling tower, evoking Caspar David Friedrich meeting the industrial age. No text, no labels.