Brown coal 8.9 GW dominates the left third of the scene as a vast complex of hyperbolic cooling towers with thick white steam plumes rising into the dark sky, lit from below by orange sodium lamps; onshore wind 8.5 GW fills the right third as dozens of tall three-blade turbines on lattice towers, their red aircraft warning lights blinking in the darkness, rotors turning slowly in moderate wind; natural gas 4.8 GW appears in the centre-left as compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, illuminated by harsh industrial floodlights; hard coal 3.7 GW sits centre-right as a conventional coal plant with a large chimney stack and conveyor belts, glowing amber under facility lighting; biomass 3.7 GW is rendered as a cluster of smaller industrial buildings with short stacks and wood-chip storage domes near the centre; offshore wind 1.3 GW is glimpsed as distant turbines on the far-right horizon, their red lights dotting the blackness; hydro 1.2 GW appears as a small dam spillway in the foreground right, water catching reflected industrial glow. The sky is deep black-navy, 2 AM summer darkness with no twilight or sky glow, scattered breaks in 40% cloud cover revealing a few stars. The air is warm and still, summer foliage on foreground trees rendered in deep greens barely visible in the dark. The overall atmosphere is heavy and oppressive, reflecting the high electricity price — low clouds trapping steam and industrial haze in a suffocating blanket over the landscape. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, rich colour palette of deep indigos, burnt oranges, and sulfurous yellows, visible impasto brushwork, atmospheric depth with layers of industrial haze receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.