Brown coal 10.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into a completely dark, deep-navy night sky; natural gas 5.6 GW occupies the centre-left as two compact CCGT plant blocks with tall single exhaust stacks emitting thin heat shimmer, lit by sodium-orange industrial floodlights; hard coal 3.9 GW appears centre-right as a bulky conventional power station with conveyor belts and a single large smokestack, bathed in amber security lighting; onshore wind 4.6 GW stretches across the right quarter as a row of modern three-blade turbines on lattice-free tubular towers, their red aviation warning lights blinking against the black sky, blades turning slowly in light wind; biomass 3.6 GW is rendered as a compact industrial plant with a wood-chip storage dome and a modest exhaust stack near the wind turbines; hydro 1.5 GW appears as a small dam structure with illuminated spillway in the far right background; offshore wind 0.6 GW is a faint silhouette of two distant turbines on the far horizon. The sky is entirely black with scattered stars — no twilight, no sky glow — it is 4 AM in deep summer night. The atmosphere feels heavy and oppressive, reflecting the high electricity price: a low haze clings to the ground, trapping the warm amber glow of industrial lights. Temperature is a mild 13°C; summer vegetation — lush dark green deciduous trees and tall grass — is barely visible in the foreground, catching reflected sodium light. No solar panels anywhere. The scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art, with rich impasto brushwork, dramatic chiaroscuro between the glowing industrial facilities and the surrounding darkness, atmospheric depth created by layered steam and haze, and meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.