Solar 38.7 GW dominates the right two-thirds of the scene as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching to the horizon across gentle green farmland; brown coal 9.6 GW occupies the far left as a massive lignite power station with four hyperbolic concrete cooling towers emitting thick white steam plumes; hard coal 3.9 GW appears as a smaller coal plant with tall chimneys and conveyor belts just left of centre; natural gas 4.1 GW is rendered as two compact CCGT units with slender exhaust stacks and modest heat shimmer beside the coal plant; biomass 3.8 GW appears as a timber-clad biomass plant with a rounded wood-chip silo and thin white exhaust near the centre; hydro 1.6 GW is a small concrete dam with a green reservoir nestled in the mid-ground; wind onshore 0.9 GW shows just two or three distant three-blade turbines on lattice towers standing completely motionless on the far horizon. The sky is entirely overcast with a heavy, uniform blanket of pale grey-white stratus clouds, yet strong diffuse daylight illuminates everything with flat, bright, shadowless mid-morning light. The atmosphere feels oppressive and heavy, hinting at the high electricity price—humid summer air pressing down. The temperature of 21.6°C shows in lush midsummer vegetation: tall green wheat, wildflowers, dense leafy deciduous trees. No wind motion anywhere—flags limp, grass still, turbine blades frozen. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich meets industrial modernity—rich colour palette of sage greens, steel greys, cream whites, and coal blacks, visible confident brushwork, deep atmospheric perspective with haze softening the distant cooling towers, meticulous engineering accuracy on every turbine nacelle, PV cell grid pattern, and cooling tower ribbing. No text, no labels.