Wind onshore 11.4 GW fills the right third of the canvas as dozens of tall three-blade turbines on lattice towers stretching across rolling hills, blades slowly turning; wind offshore 4.0 GW appears on the far right horizon as a cluster of turbines standing in dark water, their aviation warning lights blinking red. Brown coal 10.3 GW dominates the left third as massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by sodium-orange industrial floodlights, adjacent open-pit mine terraces barely visible in the dark. Natural gas 3.8 GW occupies the centre-left as two compact CCGT units with tall single exhaust stacks venting thin heat shimmer, brightly lit by facility lighting. Hard coal 3.5 GW sits beside them as a smaller conventional power station with a single rectangular chimney trailing faint smoke. Biomass 3.9 GW appears as a modest industrial plant with a rounded silo and wood-chip conveyor, warmly lit. Hydro 1.3 GW is rendered as a small dam structure in the middle distance with water glinting under floodlights. The sky is completely black to deep navy, fully overcast with thick cloud cover at 100%, no stars visible, no moon, no twilight — pure nighttime at 02:00. The atmosphere is heavy and oppressive, reflecting the high electricity price: dense humid air, steam plumes hanging low and spreading horizontally. The temperature is warm at 19°C, with lush midsummer vegetation — full leafy trees, tall grass — rendered in dark greens barely visible under artificial light. Sodium streetlights cast amber pools along a road in the foreground. The entire scene is painted as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art, with rich dark palette, visible impasto brushwork, dramatic chiaroscuro between industrial light sources and surrounding darkness, atmospheric depth and haze. Meticulous engineering detail on all technology: turbine nacelles, rotor blades, cooling tower parabolic geometry, pipe infrastructure. No text, no labels.