Wind onshore 16.3 GW dominates the right two-thirds of the scene as dozens of tall three-blade wind turbines with white tubular towers and nacelles stretching across rolling agricultural hills, rotors turning steadily; wind offshore 3.9 GW appears on the far right horizon as a distant cluster of turbines silhouetted above a faintly moonlit sea; brown coal 7.0 GW fills the left foreground as a massive lignite power station with four hyperbolic cooling towers emitting thick pale steam plumes lit from below by amber industrial lighting; hard coal 3.0 GW sits just right of centre-left as a smaller coal plant with rectangular boiler houses, conveyor belts, and a tall chimney stack with red aviation warning lights; natural gas 2.7 GW appears centre-left as a compact CCGT facility with a single slender exhaust stack and a visible heat-recovery steam generator; biomass 3.8 GW is rendered centre-right as a modest wood-chip-fed plant with a rounded storage silo and low steam exhaust; hydro 1.2 GW is a small run-of-river weir with a powerhouse nestled in a valley in the mid-ground. TIME OF DAY: 2 AM, completely dark — a black sky with no twilight, no sky glow, only scattered stars partly veiled by 62% cloud cover forming heavy grey masses overhead. All facilities are lit solely by sodium-orange and white industrial floodlights, creating pools of warm light against the deep darkness. The atmosphere is heavy, oppressive, and humid, reflecting the high electricity price — low cloud ceiling pressing down on the landscape. Summer vegetation: lush dark-green grass and full-canopy deciduous trees visible only where floodlights reach them. A faint cool breeze of 8.8 km/h rustles leaves near the turbines. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, umber, ochre, and burnt sienna — visible impasto brushwork, atmospheric depth and chiaroscuro between industrial glow and surrounding night. Meticulous engineering accuracy on every turbine nacelle, cooling tower curve, and exhaust stack. The scene evokes Caspar David Friedrich's sublime darkness fused with industrial grandeur. No text, no labels.