Solar 41.6 GW dominates the scene as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching across the entire right half and centre of the composition, their blue-grey surfaces reflecting a uniformly overcast sky; wind onshore 14.8 GW appears as dozens of tall three-blade turbines with white tubular towers and nacelles dotting gentle green hills behind the solar fields, blades turning slowly in moderate breeze; wind offshore 2.8 GW is visible as a distant line of larger turbines on the hazy horizon above a silver river; brown coal 3.8 GW occupies the far left as two massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast ceiling; biomass 3.8 GW appears as a cluster of modest industrial buildings with wood-chip silos and thin exhaust columns beside the cooling towers; natural gas 1.6 GW is a compact single CCGT plant with a slender exhaust stack and minimal heat shimmer at the left edge; hydro 1.3 GW is suggested by a small dam and reservoir nestled in a forested valley in the middle distance; hard coal 0.6 GW is a single small stack barely visible behind the biomass facility. The sky is a thick, unbroken blanket of pale grey stratus cloud at midday — full diffuse daylight with no shadows, no direct sun visible, a bright but flat luminosity across everything. The July landscape is lush with deep green deciduous trees, tall meadow grass, and wildflowers. The atmosphere is calm and open, reflecting the very low electricity price — no oppressive haze, just a serene overcast summer noon. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich colour palette, visible confident brushwork, atmospheric aerial perspective with depth receding to distant horizons, meticulous engineering accuracy on every turbine nacelle, every panel frame, every cooling tower's hyperbolic curve and concrete texture, every steam plume rendered with volumetric realism. No text, no labels.